Αφιερωμένο, εξαιρετικά στους…..ξενομανείς, που θέλουν να αφανίσουν την Ελληνική γλώσσα. Ξέρεις ελληνικά; Τότε ξέρεις και αγγλικά! Το παρακάτω άρθρο είχε δημοσιευτεί πριν από καιρό σε βρετανικό περιοδικό τέχνης (;) Αξίζει το κόπο να το διαβάσεις…!
“The
genesis of classical drama was not symptomatic. Aneuphoria of
charismatic and talented protagonists showed fantastic scenes of
historic episodes. The prologue, the theme and the epilogue, comprised
the trilogy of drama while synthesis, analysis and synopsis characterized
the phraseology of the text. The syntax and phraseology used by
scholars, academicians and philosophers in their rhetoric, had many
grammatical idioms and idiosyncrasies.
The protagonists periodically used pseudonyms. Anonymity was a syndrome that characterized the theatrical atmosphere.
The panoramic fantasy, the mystique, the melody, the aesthetics, the use of the cosmetic epithets are characteristics of drama.
Eventhrough
the theaters were physically gigantic, there was noneed for
microphones because the architecture and the acoustics would echo
isometrically and crystal – clear. Many epistomologists of physics,
aerodynamics, acoustics, electronics, electromagnetics can not analyze –
explain the ideal and isometric acoustics of Hellenic theaters even
today.
There
were many categories of drama: classical drama, melodrama, satiric,
epic, comedy, etc. The syndrome of xenophobia or dyslexia was overcome
by the pathos of the actors who practiced methodically and
emphatically. Acrobatics were also eup3horic. There was a plethora of
anecdotal themes, with which the acrobats would electrify the ecstatic
audience with scenes from mythical and historical episodes.
Some
theatric episodes were characterized as scandalous and blasphemous.
Pornography, bigamy, hemophilia, nymphomania, polyandry, polygamy and
heterosexuality were dramatized in a pedagogical way so the mysticism
about them would not cause phobia or anathema or taken as anomaly but
through logic, dialogue and analysis skepticism and the pathetic or
cryptic mystery behind them would be dispelled.
It
is historically and chronologically proven that theater emphasized
pedagogy, idealism and harmony. Paradoxically it also energized
patriotism a phenomenon that symbolized ethnically character and
phenomenal heroism.”
ΠΗΓΗ
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